Where: Chicago Shakespeare Theater Courtyard Theater, Navy Pier
When: through Jan. 19
By ANNE SPISELMAN
Ive never really been able to warm up to The Merry Wives of Windsor. Legend has it that Shakespeare wrote the play to satisfy Queen Elizabeth Is desire to see more of Sir John Falstaff specifically, to see him in love and it has always seemed to me like a hodgepodge of conventional comic tropes fleshed out with a lot of silly antics. The cross-section of bourgeois Elizabethan society (as opposed to royals and the aristocracy) is amusing but wears thin after awhile, and although watching women get the upper hand is always appealing, the theme is hammered home very hard.
That being said, Chicago Shakespeare Theaters current production of Merry Wives, its third, is lots of fun. Director Barbara Gaines cannily sets the romp in post-World War II Windsor and infuses it with period songs that not only are entertaining but also provide a counterpoint that deepens the action. In keeping with our own weather, shes chosen winter as the season, and James Noones snow-capped scenic design has the festive feel of a storybook Victorian Christmas rather than resembling any reality, past or present. Naturally, Susan E. Mickey has a ball with the costumes.
While the centerpiece of the evening is the way Mistress Page (Kelli Fox) and Mistress Ford (Heidi Kettenring) trick the lustful and greedy Falstaff (Scott Jaeck), were introduced to a towns worth of characters and intrigues first. Chief among them is the courtship of Anne Page (Tiffany Yvonne Fox) by several men: the tongue-tied yet dithering Slender (Steven Sutcliffe), cousin of Justice Shallow (James Harms); the French Dr. Caius (Greg Vinkler), and Fenton (Matt Mueller), here made an American flyboy.
Anne favors Fenton to whom both her parents strongly object. Mistress Quickly (Angela Ingersoll) volunteers to promote the suits of all of them for remuneration, even though she works for Dr. Caius, whos a veterinarian. That may be the excuse for Cricket, Lego and Gunther, three dogs that steal the show whenever theyre on stage, which is often. Mocking foreign accents is a favorite local pastime, and Dr. Caius comes in for considerable abuse Vinkler fractures French with aplomb as does Welsh clergyman Sir Hugh Evans (William Dick), though he doesnt sound authentically Welsh to my untrained ear.
As for Falstaff, hes returned from the war in need of female company and funds, so he sends letters suggesting assignations to Mistresses Ford and Page despite, or perhaps because of, their marital status. Portrayed like loving sisters by Fox and Kettenring, they plan to give the fat man his comeuppance by arranging a meeting that will be interrupted, sending him off to his punishment in a dirty laundry-filled basket. Delighted by their success, they repeat the ploy with a variation Falstaff has to dress up like an old woman to escape and then conceive the ultimate ruse, a forest meeting replete with folklore and fairies, not to mention echoes of A Midsummer Nights Dream. The Anne Page plot also wraps up in this finale.
But not content to portray young people outwitting parents and Falstaff being foiled, Shakespeare throws in the machinations and misery of a jealous husband. The wives dont let their husbands in on their plans for Falstaff, and while Master Page (Kevin Gudahl) trusts his mate completely, Master Ford (Ross Lehman) does not. Consumed by jealousy and mistrust of his wife, he flies into rages and repeatedly makes a fool of himself. Though Mistress Ford clearly loves him one of the songs demonstrates this more than the script shes also glad he learns the error of his ways, however painfully.
With so much going on and an ensemble that includes Falstaffs followers, an innkeeper and a bunch of servants, its not surprising that The Merry Wives of Windsor has highs and lows. Jaecks Falstaff isnt larger than life like he should be, but the chase scene that sends him down a narrow hole and out through another is one of the funniest of the night. Sutcliffes Slender is hilarious, an achievement given that the character can be very irritating. And Michael Semanic, who plays Falstaffs page, Robin, and has the voice of an angel, is a young actor to watch. The finale in the forest is effectively staged, with the help of John Culberts lighting and Harrison McEldowneys choreography, and musical director/vocal arranger Doug Peck does a fine job throughout.
Then there are the pups particularly cute-as-a-button Cricket with his big nose and super-friendly way. Indeed, I was very surprised they didnt get to take bows (or bow-wows) at the end.